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Directed by Joe Nick Patoski. Sir Doug & The Genuine Texas Cosmic Groove tells the story of Doug Sahm, the wild man musicians' musician and unsung hero of Texas music.
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Background information
Sahm in 1974
Also known as	Wayne Douglas, Doug Saldana
Born	November 6, 1941^[1] San Antonio, Texas, United States
Died	November 18, 1999 (aged 58)^[1] Taos, New Mexico, United States
Genres	Americana Roots rock Blues rock Tejano/Tex-Mex Country
Occupation(s)	Musician singer-songwriter bandleader
Instruments	Guitar, steel guitar, mandolin, violin, keyboards
Years active	1952–1999
Associated acts	Sir Douglas Quintet Texas Tornados Los Super Seven Grateful Dead Texas Mavericks Louie and the Lovers

Douglas Wayne Sahm (November 6, 1941 – November 18, 1999) was an American musician and singer-songwriter from Texas. Born in San Antonio, Texas, he was a child prodigy in country music but became a significant figure in roots rock and other genres.^[2] Sahm is considered one of the most important figures in what is identified as Tex-Mex music. Proficient on multiple instruments, he was the founder and leader of the 1960s rock and roll band, the Sir Douglas Quintet. He would later co-found the Texas Tornados with Augie Meyers, Freddy Fender, and Flaco Jiménez as well as Los Super Seven.

Country prodigy: 1940s and 1950s[edit]

High school portrait of Sahm, circa 1958

Sir doug and the genuine texas cosmic groove download torrent

Sahm began his musical career singing and playing steel guitar, mandolin, and violin. He made his radio debut at the age of five.^[1] He released his first record 'A Real American Joe' at age eleven. On December 19, 1952, at the age of eleven, he played on stage with Hank Williams Sr. at the Skyline Club in Austin, Texas. It was Hank Williams' last performance. Williams died on New Year's Day of 1953, on the road to his next show, in Canton, Ohio. Sahm was offered a permanent spot on the Grand Ole Opry at age thirteen, but his mother wanted him to finish junior high.^[1]

One of Sahm's earliest recordings was rejected by Mercury Records in 1953. In the mid-1950s, he started sneaking into San Antonio rhythm and blues clubs, such as the Tiffany Lounge and the Ebony Lounge, and he was soon performing in them. Sahm formed his first band, the Knights, in 1957. Later in the decade, Sahm joined up with Spot Barnett's band, playing mostly black San Antonio blues clubs. In 1960, Sahm travelled across the country promoting a record.^[3] He met Freddy Fender in 1958 and met Roy Head, of Roy Head and the Traits, from San Marcos, Texas, in 1959, when they shared the stage at a sock hop in San Antonio's Municipal Auditorium.

Sir Douglas Quintet: 1960s[edit]

The Sir Douglas Quintet in 1965 (Sahm to the right)

In 1965, prompted by record producer Huey Meaux, Sahm formed the Sir Douglas Quintet with childhood friend Augie Meyers.^[1] They chose the group's name in an effort to make the band seem British to benefit from the British invasion.^[1] This image had its problems, particularly because of Sahm's Texas accent and because two of five band members were Hispanic. Epson aculaser c4200 driver download. Some early publicity photos were shot in silhouette to hide this fact.

The band had a top 20 U.S. hit with 'She's About a Mover'^[4] and a lesser hit with 'The Rains Came,'^[1] the former also reaching the Top Twenty in the UK Singles Chart.^[5] The band broke up after a bust for marijuana possession in Corpus Christi, Texas. Sahm moved to San Francisco and formed the Honkey Blues Band, then later re-formed the Sir Douglas Quintet with a new lineup. Eventually Augie Meyers rejoined the quintet, and they released the successful single and album Mendocino. The record contained the song 'At the Crossroads', with the Sahm line 'You just can't live in Texas if you don't have a lot of soul.'

Bob Dylan stated, 'Look, for me right now there are three groups: Butterfield, The Byrds and the Sir Douglas Quintet.'^[6]

Sir Doug And The Genuine Texas Cosmic Groove Downloads

Atlantic years: 1970s[edit]

In 1973, Jerry Wexler of Atlantic Records bought Sahm's contract and produced his solo debut Doug Sahm and Band,^[1] an album featuring Bob Dylan, Dr. John, David Bromberg, and Flaco Jiménez. 'Then in October 1972, Dylan was in the studio with Doug Sahm.. Dylan having been friendly with Sahm since the mid-sixties and having expressed enthusiasm for the Sir Douglas Quintet on more than one occasion.'^[6]

Sahm recording for Atlantic Records in 1973

Sahm continued recording both as a solo artist and with the Sir Douglas Quintet. During this period, Sahm also had a couple of minor motion picture roles. In 1972, he and the Quintet appeared with Kris Kristofferson in Cisco Pike, and in 1979 he was featured in More American Graffiti. Sahm was also a sought-after session musician, appearing on releases of other artists, including the Grateful Dead and Willie Nelson.

During 1975 Sahm played a pivotal role in the musical resurgence of fellow Texan Roky Erikson, who had been struggling to survive on the Austin music scene after being released from his infamous period of court-enforced confinement in a psychiatric hospital. Through Craig Luckin, Sahm's San Francisco tour manager at the time, Erikson came to San Francisco and performed a brief four-song set over three nights, backed by Sahm with the reformed Sir Douglas Quintet. Sahm also funded and produced Erikson's first 'comeback' single, 'Starry Eyes/Two-Headed Dog', for Erikson's new band Bleib Alien (later renamed the Aliens). Sahm had earlier worked with former Creedence Clearwater Revival members Doug Clifford and Stu Cook—Clifford produced and played drums on Groover's Paradise (1974), a Warner Bros. Records release credited to Doug Sahm and the Tex-Mex Trip, on which Cook also played bass—and this in turn led to Cook and Luckin jointly producing The Evil One, the first album by Roky Erikson & the Aliens, whose lineup included guitarist Duane Aslaksen, Sahm's touring sound mixer and guitar technician at the time.^[7] In Christgau's Record Guide: Rock Albums of the Seventies (1981), Robert Christgau called Groover's Paradise Sahm's 'most unambitious music since the days of Together After Five' with the Sir Douglas Quintet.^[8]

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About a Mover: 1980s[edit]

In 1983, Sahm and Meyers signed with the Swedish Sonet lab